Monthly Archives: April 2012

Idiots of Ants

idiots-of-ants

Idiots of Ants are an English based Comedy Group made up of four members, Elliot Tiney, Benjamin Wilson, James Wrighton and Andrew Spiers. They’re winners of the 2010 Chortle Awards (Character or Sketch Act), which celebrates the best of the best in live comedy.  Awarded by a panel of famous comedians and by a vote of comedy fans, it’s okay to assume that they’re a big deal.

So how does one describe the Idiots of Ants? One could say it’s like channel surfing on your TV….

Channel 1, their first act is a WW2 war scene. Channel 2, is a movie scene where men are planning a wife swap. Channel 3, is a sketch where a German and American spy are discussing an exchange of money and documents. The act is constantly changing but the only thing that is constant is their energy levels and the mockery of Finn, the unlucky chap in the front row (thankfully we were spared!).

The mixing and mashing of sketches makes some of the sketches forgettable, such as their sketch based on passing gas.

The opening is probably hands down their best sketch.  Starting while punters are taking their seats, the quartet is in a WW2 scenario. As the sketch goes on they begin to realize they aren’t actually in World War 2 and are in Auckland at the Herald Theatre. It’s a hilarious opening and the punters are hooked.

All in all, I would definitely recommend catching Idiots, especially if you’re interested in sketch comedy troupes.

They”re on from Tuesday 1 – Saturday 5 May, 8.45pm.  For more info and to buy tickets click here.

Stephen K Amos Laughter is my Agenda

stephenkamos

SkyCity Theatre
May 2 & 3

Head to SkyCity to check out charming comedian Stephen K. Amos. There’s really no theme to Stephen’s show except that we’re there to laugh and have some fun and we certainly did that.

Audience interaction is a major part of his act and there’s definitely comedy gold to be mined from his audience and that’s where he shines.

His conversations with the audience had us in fits of laughter.  His observational humour in full swing at the expense of our Trans-Tasman cousins and his spot on Aussie accent had us in stitches.  Who wouldn’t love a comedian who can poke gentle fun at the Aussies.

Born to Nigerian parents and raised in the UK, Amos’ early family life provides a lot of his material- totally hilarious and sometimes a little bit naughty. He had the packed out auditorium laughing so loudly at times he had to wait until we had all calmed down so that he could move on.

His show is supposed to last for an hour but when he went over time the audience didn’t mind at all

Sadly this reviewer had to leave straight after the show but I’m told he was still making people laugh in the foyer after the show.

If you fancy a great night out and sore stomach muscles from laughing then Stephen K Amos is the show to go and see as he says, “Laughter is my agenda” and he delivers.

INTERSEXION

INTERSEXION

New Zealand 2012

Duration: 68min.
Director Grant Lahood. Producer John Keir.
Mani Bruce Mitchell

Intersexion touches on a subject that very few people are aware about, though it is an uncommon subject to speak about casually, it is still an important and common issue that exists beyond the male and female gender roles. Classed as an abnormal condition, the definition of intersex is where a person or animal is born without a clear distinction of either gender.

One in two thousand children are born intersex-ed (which is quite a staggering number if you think about it) and are often labelled ‘I‘ on birth certificates and other documents while struggling to fit into the social constructs of the gender ‘norm’.

The film interviews several Intersex-ed individuals that reveal their deepest and perhaps darkest secrets of themselves and their family, while they each bravely go on to recall the physical and emotional trauma in their upbringing and learning the truth about themselves. They also expose the harsh realities in medicine, the facade in bringing hope that they could help ‘cure’ the problem often through cosmetic surgery and instructions to lie and cover up the truth. As the film goes on, one can not help but feel the underlining tones of shame that these people and their families were made to feel, yet one can also admire their determination and strength on their road to overcome their differences through self exploration.

Follow  Mani Bruce Mitchell on his/her journey to America, Ireland, Germany, South Africa and Australia to find and share the stories of those that share his/her unique trait. Go on to discover their roller coaster ride through medical history, theories and treatments used to ‘treat’ intersex babies, learn of their abuse, their mutilation, their anger, secrecy, battles, triumphs to self discovery and pride.

 

Intersexion is showing as part of NZ Documentary Edge Festival 2012

For more details, session times and booking visit here

AUCKLAND:

Wednesday, 2nd May: 8:45pm
Event Cinemas, New Market

Tuesday, 8th May: 12:45pm
Event Cinemas, New Market

WELLINGTON

Friday, 18th May: 9:00pm
Angelika at Reading Cinemas Courtenay

Wednesday, 23rd May: 7:00pm
Angelika at Reading Cinemas Courtenay

Tuesday, 29th May: 12:45pm
Angelika at Reading Cinemas Courtenay

The Axis of Awesome

AxisofAwesome_470x270

From jokes on Tupac Holograms to boy band piss-takes, Axis of Awesome rocked their first Auckland show on Saturday, making a quiet audience generate blast waves of laughter. Coming to the show knowing only of their Youtube hits such as “Bird-plane” and the popular “Four chord song”, it was interesting to see what other material they had under their sleeve. The unique trio demonstrated both creativity and ability to twist any well known tune into anything funny. Their comical quirks not only surrounded their belief that they are far beyond awesome, but it also resonated through their cheeky and witty remarks and jabs at each other on stage.

You can catch them in Auckland until 5 May so don’t miss out, it will be an hour worth remembering. Find their listing on Comedyfest, and I leave you with their viral video:

Four chord song – The Axis of Awesome

 

 

CROOKED BEAUTY

CrookedBeauty

Crooked Beauty is a film that makes you question your own sanity. In a raw but composed narrative Jacks McNamara leads us through her experience of mental illness. She talks about beauty (it grows through the cracks in the pavement), about normality (in Western capitalist society, compared to the real world), about the felicitous, insightful perspective gained through a lens of mental illness, and about the unbearable pain that follows close behind.

The score is sparse, the silence confronting. Most of the film is in black and white and the photography illuminates the heightened perception she tells us of. We only see Jacks’ face for the first few minutes; beyond this her voice alone guides us: fitting, considering it’s her mind that is the subject.

She uses her story to critique the common medical system and challenges viewers to reconsider what depression might actually entail. Is it really that strange, she asks, for people to live outside of a world dictated by routines and protocols? As a student of both anthropology and creative writing I was amazed by the way Crooked Beauty weaves poetry and theory into a compelling story.

I want someone to turn this film into an installation: I want to walk through it and move between it’s spaces at my own will; to pick things up and ask strangers questions; to rearrange the order of things, not because they are wrong but because any idea of rightness is illusionary – is mad, you could say.

Crooked Beauty does everything a good documentary should. It ignites your curiosity and a sense of injustice; it gives you insight into a world that not all are familiar with; it begins, in a precocious voice, to develop the language of compassion Jacks’ hopes to begin.

Go and see it, then go and think about it.

 

Crooked Beauty is showing as part of the Documentary Edge Festival.

For more information see the website here.

SCREENING IN AUCKLAND

Friday 4 May 12:45pm

Friday 11 May 6:15pm

SCREENING IN WELLINGTON

Friday 25 May 12:45pm

Tuesday 29 12:15pm

Friday 1 June 5:45pm

 

THE CARRIER

TheCarrier

Mutinta, a beautiful Zambian woman, used to dream of growing up to be perfect. This film follows here as she realises how different her reality is. When Mutinta voice first meets us, she tells of her love for her husband and her joy at finding someone who wants to marry her; her husband describes how the first time he saw her, his heart made him stop. It is the very foundation of most Hollywood love stories.

But Mutinta’s husband is already married. She becomes his second wife, after Brenda, and a third arrives soon after. It isn’t long before Brenda gets sick. When Mutinta finds out she is pregnant, despite having secretly been taking birth control, her sole concern becomes preventing her baby from contracting HIV.

HIV changes their family forever. Those who love each other cannot help but lay blame; those that resent each other forge new bonds. Love, blame, hope and control mingle in the African fields.

The Carrier does not fall back on sentimentality; it need not, because the subject is powerful in and of itself. Mutinta tells her story with quiet honesty and dignity. We are not supposed to pity her, but we come to understand something of her struggle despite this. I admire the filmmakers for avoiding dramatisation; for showing the good with the bad and sad and terrifying. Their minimal interference leaves room for us to make our own opinions, and to comprehend those of Mutinta, her family and their leaders.

The Carrier is quiet, but moving. I’m unsure whether they should have used this powerful story to motivate people to act. As it is the film is beautiful, and sad. It is a cinematic experience that is hard to find ordinarily, and one you should see, to decide for yourself.

 

The Carrier is showing as part of the Documentary Edge Festival 2012

For more details see the website here.

SCREENING AUCKLAND

Monday 30 April 1pm

Monday 7 May 8pm

Sunday 13 May 4:30pm

SCREENING WELLINGTON

Monday 21 May 1pm

Monday 28 May 1:45pm

Sunday 4 June 4:45pm

 

Dead Men Talking

deadmentalking

Any last words before you die?

This is the basic concept of a unique reality show in the Chinese province of Henan entitled “Interviews Before Execution”. Catering to the macabre fascination humans have for death, its audience of forty million viewers makes it one of the most watched programmes in the province.

China has never kept its faith in the effectiveness of the death penalty a secret. Fifty-five crimes carry the death penalty, and it is estimated that there are thousands of executions per year (statistics are, however, one thing that China does keep secret).

Dead Men Talking is directed by Robin Newell and follows Ding Yu, the presenter and producer of “Interviews Before Execution”, as she interviews prisoners on death row about the circumstances of their crimes and how the knowledge of their impending death affects them, sometimes just minutes before their sentences are carried out.

All of the interviewees always seem remorseful; one even says he is “in agony”, as if death would be a welcome relief. Ding Yu comments that at the end of the interview, they become calm because they have said their piece.

However, the general manager of the channel that the programme airs on feels that the show is a great concept due to their social responsibility to warn people of the consequences of their crimes, as opposed to decrying the unjust nature of the death penalty and showcasing the plight of their families. This, in fact, is one of the government’s main objects of the death penalty- deterrence. En route to their execution, prisoners are made to wear a placard stating their crime in an open truck for all to see.

A main focus of the documentary is the emotional effect the show has on Ding Yu herself. Out of journalistic principle, she never treats her interview subjects like criminals and says that whenever she feels sympathy, she reminds herself of their crimes. However, certain people stand out in her mind.

Death row inmate Bao Rongting asks her name. He says he asked her because he respects everyone, as they are all human beings. It is later revealed he was convicted of killing his mother and raping her dead body, despite his open homosexuality. As he is being led to his execution, he asks her if he’s going to heaven. Before prisoners are executed, they have to sign a paper testifying that all the facts of their crime are correct, perversely signing their own death warrant. Moments before his execution, he asks to shake her hand but she merely brushes one finger over his palm, conflicted about what to do in front of a homosexual and someone about to take their last breath.

A scene of Ding Yu and her crew choosing livestock and fish, which are slaughtered and packaged for their next meal, juxtaposes his execution. In the market, a little girl recognizes Ding Yu from her show, indicating the normalcy of he death penalty in China.

Dead Men Talking is a unique and educational look at the death penalty and its consequences in a country that takes an alternative view to our own Western society. Although many of the subjects and their families are very emotional, the objective nature of the documentary is well preserved.

*Screening at the Documentary Edge Festival 2012

*Website: http://bit.ly/GQ0W1l

SCREENING TIMES

AUCKLAND

Fri 27/4 12.45pm – EC Tue 1/5 5.45pm – EC Tue 8/5 5.15pm – EC Wed 9/5 7.30pm – EC

WELLINGTON

Fri 18/5 12.45pm – RC Tue 22/5 6.00pm – RC Wed 30/5 5.45pm – RC